Many would probably argue that they have come a long way from the Passion Pit who wrote Manners. The Passion Pit who wrote a song called Let Your Love Grow Tall and whose debut album heavily featured the PS22 children's choir. I would argue that the change in this album is entirely in accordance with the change in the band's situation, and might not be as great as it might first appear. After all, the new album still includes fast paced, danceable beats and catchy pop hooks. Angelakos's helium-inhalingly-high vocal range is still present. The high pitch oscillating synth makes appearances, notably on "Constant Conversions". However, it is also clear that Passion Pit have shown another side of their character with the new album and have extended into unexplored stylistic territory. Lyrically, the album is much darker than Manners. Those who took the time to listen to the jagged words under the cheery musical landscape will have noticed that Manners was not the cheeriest of albums either. Even in "Let Your Love Grow Tall" Angelakos's idea of love growing "Tall as the grass in the meadow" quickly turns to the the paranoid and frantic:
Like the darkness in the forest?
Like my frightened worried eyes?
Or the roots in the soil?
Are skies telling lies?
In Gossamer Angelakos manages to keep remarkably honest while achieving what I can only call lyrical brilliance. The lyrical subjects are largely Angelakos reflecting on his relationships with other and how he views human interaction. On "Carried Away" he musingly admits:
Listen, I don't really know you
And I don't think I want toBut I think I can fake it if you canLet's agree there's no need, no more talk of moneyLet's just keep pretending to be friends
Listen, I don't really know you
And I don't think I want toBut I think I can fake it if you canLet's agree there's no need, no more talk of moneyLet's just keep pretending to be friends
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